Ensemble and orchestra

A small part of the catalogue, and an early one: eleven of its thirteen works were written before 2006. From 2005 Ciciliani's larger projects went to Bakin Zub, the ensemble he founded that year. The orchestra returns only once, with electronics, in muzART (2010), and the large ensemble once more in 2013, this time with three megaphones.

PARS (1991/92) for countertenor, tenor, nine instruments and electronics is the earliest piece in the catalogue with electronics in an ensemble setting. Homerun (2001) also has a voice, set against eight instruments.

The 2013 piece is the odd one out. Eine Puppe, die keiner mehr mag (a doll nobody wants any more) is scored for ten instruments and three megaphones and was first performed by Ensemble Reconsil at the Arnold Schönberg Center in Vienna on 10 April 2013. Ensemble Reconsil had already recorded Zwischenraumstudie at the Composers Forum Mittersill in 2009, for the forum's CD Kofomi #7.

Miris misli (1994) is the one work for large orchestra. Fabric reverie (2001) is for chamber orchestra, Pavillion (2001) for string orchestra or string ensemble.

Just because you're not paranoid doesn't mean they aren't after you (2003) puts an amplified violin, played with a mute, in front of a large ensemble with live electronics and light.

muzART (2010), for solo piano, solo harp, chamber orchestra and electronics, has a sister piece. Its solo version for what Ciciliani called the Wendy Carlos Revival Orchestra, with live electronics, lighting and video, was first heard at Smart Project Space in Amsterdam in April 2012 and went with him on his American tour in February 2013.

Pavillion turns up in a trio scoring on the Tokyo compilation Music for Baby (Amorphon), spelt Pavillon: Barbara Lüneburg on violin and violas, Doris Hochscheid on cello and Meinrad Kneer on double bass, five minutes long.